Revolog Film Pt. 2: Alice Crowe
I've learned that, to get the most out of Revolog Kolor's color effects, it's best to underexpose the film by 1-stop. Overexposing washes out the color background, and defeats the whole purpose of using this special (and expensive) film. I don't have much to add about the shoot itself: It was a delight to collaborate with a model again, and I can't wait to shoot Ms. Crowe again. Here are a few of the better Revolog Kolor shots from the shoot:
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